Hands holding a loaded Super Berlin Doner sandwich close to the camera
Nymfes Aegle hand and body cream on beige fabric with jasmine flowers and loofah
Product content · Stills & short motion

Social media photography in Athens

A useful content shoot starts with what your brand needs to show over the coming weeks. I photograph products, food and beverages for social media, with a planned mix of clear product views, styled scenes and closer details. Short motion or stop motion can be discussed alongside stills where it suits the idea and the agreed production scope.

Selected work

Different moments, one visual language.

The Super Berlin Doner portfolio brings together yellow product backgrounds, handheld food images and short motion studies. Nymfes takes a quieter approach through linen, flowers and tactile cosmetic products. These contrasting sets show how a content direction can follow the subject rather than making every brand use the same visual formula.

Two 2 NUTS granola boxes behind a bowl of yogurt and granola against mint green tiles
Granola packaging and a bowl of yogurt create a breakfast scene within the Baransu selection, linking the product to a familiar moment of use. Baransu.
Yume Island Bliss can against a pink background reflected on a wet surface
A Yume can on a reflective pink set demonstrates a graphic product image that can sit alongside the pouring photograph in the same portfolio series. Yume.
Service detail

Plan a content set around its actual uses.

A shot list with variety

Begin with the products, launch dates and themes your team wants to cover. One image might introduce the pack; another can show serving, texture or a hand interacting with it. A shot list clarifies setups and avoids a collection of nearly identical pictures. The selection follows your content plan and available production time.

Regular content photography can be planned as individual shoots or discussed as an ongoing collaboration. Frequency and volume depend on the product range, seasonal changes and how your team publishes. There is no need to commit to a schedule before we understand what requires new photography and what can use the existing image library.

Formats considered before shooting

A feed post, a story and a paid placement may need different framing. Specify the aspect ratios and any text safe areas before production so the subject remains clear. A vertical scene sometimes needs its own composition rather than a tight crop of a horizontal image. Additional versions, close details and short motion should be included in the agreed deliverables.

Files for your publishing team

Delivery can include selected retouched images and the agreed web exports, with a clear file structure. If your designer or agency needs particular dimensions, colour settings or naming, supply those requirements in the brief. The photography scope covers visual assets; copywriting, posting, community management and ad management are separate services unless expressly agreed. Image usage and any advertising placements are clarified with the proposal.

Before the shoot

What to share before a content shoot.

Products and themes

List the products, releases and moments you want to photograph. Include the existing brand palette, packaging photos and examples of content that fits your direction.

Channels and formats

Name the publishing channels and required sizes, such as feed, stories or paid ads. Explain whether you need stills only, a carousel sequence or a short motion idea.

Timing and responsibility

Share the deadline, indicative budget and the person approving the images. If an agency handles the content calendar, its priorities and design requirements are useful inputs.

What should your next content shoot show?

Send the product range, themes and formats, or request a call to discuss the content you need. We can then define the image set, optional motion and delivery requirements for a specific proposal.

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