Yume, tropical clarity.
A functional tropical drink photographed with clean colour, ice and a direct product read. Can hero, pour, refreshment. A small set built to show the label clearly while keeping the image bright, fresh and website-ready.


Commercial and editorial photography. Based in Athens, available worldwide.
A functional tropical drink photographed with clean colour, ice and a direct product read. Can hero, pour, refreshment. A small set built to show the label clearly while keeping the image bright, fresh and website-ready.
Bottles, cans, glass. A set of drink portraits shot on single-tone backdrops. Orange on orange, blue on blue. Product-forward, single source, tight framing. Cold surface condensation chased with a mister at the last second.
Greek spirits photographed with glass, stone and saturated colour. Bottle, serve, close-up, hand. A compact beverage set built around label clarity, bar presence and a more tactile drinking mood.
Water and vitamin water photographed with clean colour, condensation and packaging clarity. Range, splash, cold box, single flavour. A fresh product set built for web and social use.
Kombucha photographed with a warm, home-like summer feeling. Pour, ice, colour, pool light. A compact beverage set built for product clarity, social use and design space, with one short motion loop from the same shoot.
Packaged food photographed as a product first, then moved into serving context. Jar, label, texture, use. A compact set for web, social and product-led content, built around porcini mushroom cream, wild garlic spread and vinegar infusion.
An ongoing practice in viscosity, gravity and timing. Caramel on stroopwafels, chocolate on pancakes, salsa on a chip. Every drip is a separate take. Food props cool fast, so you shoot at the pace of the sauce. The two stop-motions are from the same sessions.
Repeated subjects, strong backgrounds, advertising-quiet. Twenty-four muffins on blue, a slice of toast with chocolate spread, a burger on red. Studio studies exploring what a single product frame can hold.
I came to photography through retouching. That part hasn't left me.
Clean light, honest materials, compositions that don't fight the subject. If the idea is clear we shoot fast; if it isn't, we sharpen it first.
Most of my weeks are split between studio food and on-location product. Retouching is not outsourced, which is why the tone of the final image stays close to the day of the shoot.
I'm taking on food, product and still-life work for spring and summer 2026. Based in Athens, travel across Greece and the EU on request. Most jobs go from brief to delivery in under two weeks, with retouching and colour included.
Write an enquiry ↗A few quick lines. I read everything and reply within a day. Anything missing we can figure out on a call.
































